YellowDots Cafe

Tags

Ann Forbes, Jeogeot, Second Life, Stanlee, West Coast Road, YellowDots "Chatty Cafe"

YellowDots “Chatty Cafe” is a friendly, social establishment for avatars including new and returning residents. It’s located on a 3072 sq m parcel in Stanlee at the end of the West Coast Road on Jeogeot.

The open air cafe is in a park setting and rated Moderate.

“Welcome! Seeking friendly people? Like to chat? We want to meet you. Stop in! Join YellowDots group: Rez objects, set home to here. Sandbox, Changing Rooms, Hobo, Lonely, Friends, Coffee, Tea, Old, News, Art, Help, Returning, New, Date, Games”

The Cafe owner, Ann Forbes is currently working on the website, and also finds time to keep up to date with available tours, discussions and events.

There’s space for art exhibits on the fence. Currently there are pieces by Fau Ferdinand shown.

Pods travel by the area, and there are bike rezzers withing a short walking distance up the road at Jonson Springs in Ezquerra.

 

Shells ~ Digital Collages

Tags

Gaston Bachelard, Klaus Bereznyak, Montara Bridge Works Gallery, Sansara, Second Life, Shells, The Poetics of Space

“Shells” is a collection of digital collages inspired by the entire chapter on the subject in Gaston Bachelard’s Poetics of Space. The exhibit by Klaus Bereznyak is open through the end of March at Montara Bridge Works Gallery.

Klaus “instantly connected with the author’s words as a long-time collector of shells and fossils and a lover of the diverse forms of habitable space.”

“On the first floor are five works in square format reflecting on the primal meanings I associate with shells.”

“On the second floor are six large-format pieces in a coherent sequence, each leading to the next.”

“Put together these would create a whole picture, yet each stands on its own. It is for the watcher to simply enjoy the ideas that arise in the mind in response to this sequence.”

Montara Bridge Works Gallery is located in the sky on Sansara. A teleport leads to the beach below, near the Hooper Bridge.

 

 

Wanderlust Art Park ~ September – October

Tags

Second Life, Wanderlust Bench Art Park

The autumn season exhibit at Bench Art Park and Wanderlust Cafe and Art Park Expansion holds 2D and 3D art, writing, and posters for events and destinations.

The previous box/collection of destinations from May 2017, had 6 of an original 18 landmarks remaining current, which is good in SL. A new, updated box of posters is available, with a folder of the posters/landmarks in a free box, or individual posters from the wall.

Myra Wildmist contributed a photo using projectors.

Digital art by Amy Inawe and Klaus. A timely essay is on a notecard in the piece by Klaus.

Elle Thorveld

By Wheedle, Klaus, and Lil Mint.

By Veyot and Pearl Grey.

The Reverent Fear is a story by MBeatrix set in Innsmouth. The book links to the story on Tumblr, and a collection of photos is exhibited nearby.

By Seraphim Placebo

Wanderlust Cafe is holding photos by Melusina Parkin from a private collection. There are 3D pieces on the roof and in the courtyard of the cafe.

The ground floor of the gallery has an exhibit by Giselle Seeker. Lil Mint is showing digital art on the floor above.

You’re welcome to stop by and enjoy the art, park, and cafe.

 

 

 

 

 

Ecoscape ~ An Environmental Art Project

Tags

Asmita Duranjaya, Betty Tureaud, Claude Belgar, Duna Gant, eco art, Elle Thorkveld, environmental art, Ericko Lecker, June Clavenham, Kala Kaiuwa Kuveni, Klaus Bereznyak, Lalie Sorbet, Melodie Heart, Pearl Grey, Second Life, secondlife

Armageddon in the Biosphere by Melodie Heart and Eriko Lecker

Ecoscape is an environmental art project at InterstellART. Opened in March 2019, it displays 3D installations by various artist contributors in a desert setting.

The Tree Hugger Trail by Asmita Duranjaya

New installations replace some previous ones at intervals. The Tree Hugger Trail is de-rezzed at the current time, A notecard with info and pictures can be obtained. All installations will be included in a book that can be purchased for 0L and worn as a HUD.

The book can be obtained at the info area. The large pages exhibited, display an introduction, The Early History of Environmental Art, The Emergence of Land Art Installations, Considering the Environmental Impact, Environmental Art as Eco Art, and Contemporary Environmental Artists.

The Disappearance by Lalie Sorbet

There are teleports at the installations, and a glider with instructions can be obtained at the info area. And of course, an avatar can stroll in the sand.

Overpopulaton by June Clavenham

The installation by June Clavenham also has a colorful area expressing a pristine earth.

The Day on the Beach by Kala Kaiuwa Kuveni

The photo above shows one of the scenes that can be rezzed via clicking on a multi-scene changer.

No Ark in Sight by Elle Thorkveld

There are spaces for new installations that are being created now, and return visits are suggested.

Energy is Precious by Claude Belgar

Energy is Precious is an animated piece that is one of the newer installations.

Toxic Threads Inc by Pearl Grey and Klaus Bereznyak

I welcomed the opportunity to collaborate on this project with Klaus. The subject of clothing fibers found in fish, plus other damage from the fast fashion industry had been a topic of discussion between us for some time. Clicking on the posters will give notecards with links to videos with more information about the impact of fast fashion.

How Now Brown Cow by Betty Tureaud

A colorful, methane producing cow.

You Decide by Duna Gant

“This work is a small personal homage to Lucio Munoz (1929 – 1998) Spanish informalist artist who used natural materials such as wood and paper in his works.”

A previous installation titled How to Survive the Time After by Silas Merlin and Asmita Duranjaya can be seen in the book.

InterstellART is owned by Asmita Duranjaya.

 

 

 

 

 

 

Blue Orange Library

Tags

blogging, Blue Orange, Blue Orange Library, Ini Inaka, Second Life, Writing

The Blue Orange is a bohemian club for music and art lovers. (They’ve been known to go on sailing expeditions too.) The gallery is curated by Ini Inaka, and I appreciate that they also have 3D installations. The current seventh month long exhibit opened last year around the end of August.

There is likely about a little over a month left to view the huge collection of art; this post is about the Blue Orange Library. Sometimes the landing point is fixed to different places, but today I landed right in the library area. Sometimes, the landing is in a subway tunnel, and you’ll need to find your way down a hall, pass through the club area, and take a left into the Art Corner.

You can catch a glimpse of the hallway leading to the club in the right of the photo above. I’ve lightened the exposure, and cropped these photos. There are chairs available to sit and read.

But you’re likely to end up reading on the wall. Many of the books are props, but click on some, and you will be led to some wondrous writings of SL avatars.

From the notecard by Ini Inaka:

“A bit of info about the library at Blue Orange.

Idea about surreal library came to head while was watching one of my favorites classical movies. *Colors of pomegranates*
Armenian movie directed by Sergei Parajanov. Masterpiece! Artistic, unbelievable deep and unbelievable surreal, so visual and… and and and….!..
In the movie is one scene where people squeezing wet books with stones pressing on them down and later trying to dry them… After seeing such picture you just have no words…

Words…
Decided to invite people who are masters of words and learn to express themselves in poetry, novels, satire, essay, short stories or anything like that what smells as literature. And was sure that in SL we can meet such people. 🙂 Have sent the notice out and few brave agreed to share their websites or blogs.”

“Yes, main rule was to have own blog or website as a bit more of secure feeling when talk goes about copyrights.

Each of the active books contains a notecard from the author, and a link to a website where the work is hosted. Just click on a book, accept the notecard and go to the webpage! Depending on your settings, you may see informational text when you hover you mouse pointer over active books. If not, click around and explore! You’ll find active books floating in the air, as well as in the center section on the floor near the wall. So grab a cup of coffee or tea, and sit down and enjoy!

I am not a writer by myself and not even English… not for me to judge, but you can judge by cover or not :)”

There’s more info on Sergey Paradjanov and the film on the notecard. A copy is available by clicking on “Library” inworld, as shown in the second photo of this post.

As with any collections of writings, I like some, and others not so much. Participating writers include:

Moewe Winkler, Lyrikmaschine, Prole (prole pinion), Stella Maris (arsmemoria), Kara Mellow (kara frakture), Storm Nordwind, Cassandra (Cassandra Ushimawa), Ernie Farstrider, Chraeloos, Eva Harley (evaharley), GoSpeed Rasere (gospeed racer), Chemsia, Lisa Figueroa, R. Crap Mariner, Callie Novelli, Elbe Lisle (elberouge), Huckleberry Hax, Uxia Barcelos, Ash, Karima Hoisan, Anan Eebus, Pearl Grey and Klaus Bereznyak

Ini was intrepid in approaching the sometimes insular world of writers in SL. Some of the participants are well known inworld, and had websites established.

I was invited to participate because of something that was mentioned in my Picks: “clicking on the upright black journal on the typography shelf will give you The Coniston Letters, semi-fictional correspondence between the two friends and business partners at the Press.)” So, unread by Ini, I said yes, if I could invite my collab partner, Klaus. I hastily put together a blog, while Klaus was traveling with sporadic internet service. We have posted something once a week since, although some are previous works we’ve used elsewhere in SL. My intended point being, with the apathy that can be prevalent in Second Life, and the exclusivity in some places, it’s a joy for this avatar to see others creating opportunities and making room for creativity in our world.

I invite you to visit The Blue Orange Library before it closes, and collect some websites and blog links for reading.

 

,

Coping Mechanisms; Horizons, Andromeda

Tags

art, Art Oluja, Coping Mechanisms, Horizons, Second Life, secondlife, virtual 3D installations, virtual worlds

Horizons looks to be mostly residential to me. I’ve spent a little time there, mostly wandering around or visiting the Cafe D’Art when it was in existence. In Horizons Andromeda, Coping Mechanisms, is a 1024 parcel well worth exploring.

Some of the stacked storage containers are open. There are carefully chosen items stashed inside. Outside, you can bounce on the trampoline, with a miniature cardboard house and a giant avocado nearby.

An opening in the fence allows you to wander over to the parcel next door, owned by the group, Innocent Young Throat-Cutters.

The land description:  “Escapist loner shoving inevitables and unspeakables behind the clutter of nostalgic blah.”

These photos were taken with the windlight of the sim; Andromeda is A rated.

Click on things when you’re there.

Coping Mechanisms is the creation of Art Oluja; those familiar with her work will recognize remnants of some previous installations.

Some art pieces from her personal collection are on view as well.

When you arrive, you may want to grab a landmark for your inventory.

The LM is to aid your escape from the padded room, should you choose to wander in. Enable media for an immersive experience. Be patient; media usually doesn’t work for me and I found this worth any wait.

The padded room was originally installed in the opening exhibit at the club/gallery/refuge, Blush Response.

Contours by Klaus Bereznyak

Tags

art, Contours, Klaus Bereznyak, Montara Bridge Works Gallery, Sansara, Second Life, virtual art

The February through April exhibit at Montara Bridge Works Gallery is Contours by Klaus Bereznyak.

“The pictures in this series came about because I was curious about how monochrome pictures shaded by depth rather than color within Second Life could be used artistically, and I wanted to explore digital techniques for imitating real life materials, especially collaged paper and fabrics. I have always been seduced by the simplicity of silhouettes.”

“These works are therefore the by-product of playful experimentation, manipulating inworld photography in Gimp. Reducing pictures to silhouettes and outlines has been a meditative process of trying to find and keep the essence of an image while simplifying it.”

“Textures bring our virtual world to life: a well textured prim beats a badly textured mesh creation any day (to my mind at least). The most satisfying textures seem to find a sweet middle ground of “virtual real” that is neither photo-real or cartoonish. I wanted these pictures to look like they belonged in SL. Some of the textures incorporated are handmade, and others are full perm freebies or culled from public domain sources.”

Klaus Bereznyak

Klaus is a valued contributor to Wanderlust Bench Art Park and the curator of

Shoshin Acres Art Space. He has exhibited at Chelsea Gallery 23 and The Cultured Goats Gallery, participated in numerous collaborations and group projects and is a freelance contributor to SL Newser.

 

Route 2 ~ Manduca to Consular

Tags

Heterocera, mainland, Second Life, The Atoll

It’s been exactly three months since I left off exploring Route 2 on Heterocera which I posted about here.  In some ways it seems like a very short time ago, in other ways it feels like my human has lived a lifetime since then.

We begin again at the rez zone in Manduca.

Some of these photos will look similar but the route is interesting with signs of life on the left, along the coast. This post is about the infrastructure; so the bench and trash bin by Garden Mole appear here, rather than the mansion on the left.

Still in Manduca, there’s a retaining wall on the right. I like seeing that the land is not jagged and irregularly chopped up like so many areas of the mainland.

The road and retaining wall continue into Modesta. Moving into Girdier, there’s much more vegetation on the right and a rez zone on the left near a Bikers Bar.

The road paving changes for a bridge. There are lamps by Garden Mole along the sides.

Still in Girdier, this space on the right is not a rez zone or pod stop; there’s no bench or trash bin. There are many occupied residences on the left, quite a few with banlines.

Moving into Echo, the paving changes briefly for a raised area in the road.

Still in Echo, there’s a bench where one can stop and enjoy the sea view.  The cave on the left of the photo holds a club; the place on the right is also open to the public.

A rez zone in Echo.

Next you pass through Dahana, then Scoopwing.

An old wood seat by Bloomin Mole just before entering Sedge.

There are several areas with trees and benches on the right where you can pause and view the sea.

Still in Sedge, we turned left to continue Route 2. There is a small park.

The road right is the Inland Cutoff where you would shortly see a pod station if you’re tired of walking or driving.

The rez zone in Oakworm.

The appearance of the road changes while still in Oakworm and on into Consular.

And here is where we end our journey for now, in Consular, where the wood plank road changes back to stone paving.

 

 

 

Exodus ~ A Trip for Life

Tags

Exodus A Trip for Life, immigration, Kicca Igaly, Linden Endowment for the Arts, Nessuno Myoo, refugees, Second Life, virtual art, virtual worlds

Round 13 of Linden Endowment for the Arts is ending December 31 and I’m making time to see some of the installations when I’m able. The current installation at LEA 24 has drawn me back several times. At the landing, there is a notecard available with viewing instructions. I did increase my graphics and draw distance but the recommended windlight is not on the Lab viewer. I chose something in the environmental editor; some of these photos are dark but you can likely locate some pictures that show the sim as the artists intended.

Exodus A Trip for Life, by is by Kicca Igaly and Nessuno Myoo; the first set of photos here is of Myoo’s installation.

Nessuno Myoo:

“At the origin of this new installation, called Exodus, there is a vision, small but powerful,
that which I have always had before my eyes every time I found myself listening or assist to debates
that in my judgment deal with the immigrant’s not easy question, or about immigration in general,
incorrectly mode and sometimes even instrumental mode.
It almost seems that all the evils of our society, unable to find effective solutions
to the problems that which from time to time appear to him, they have found the perfect scapegoat
in the dark threat of the foreign invader. The most grotesque reference and contradictory
that remains the huge amount of money that this real traffic of human beings generates,
and that filling the pockets of criminals who organize these crazy crosses of death, and criminals who
at the table with the “democratic” institutions they plan a lucrative welcome,
deprives of all fundamental rights and personal dignity…”

I like the colors (on my viewer), the shapes, the composition and the sense of substance here. There is an ongoing narrative, one we are all creating because the issue of immigration and refugees affects us all.

Like in many arenas of life, now and throughout our history, there are those who exploit the circumstances, pain and suffering of others.

I personally believe that those countries who find a way to include and value immigrants, which is a complex process, will be better poised to thrive in the future.

The photo above and the rest in this post are of the installation by Kicca Igaly. There is an openness to contemplate and explore one’s own views.

The more fifth dimensional we are becoming, the more I’m appreciating shape, form and narrative, a sort of boots on the ground approach to moving forward.

Kicca Igaly:

“After a life of suffering and persecution, after a long and horrible trip paid at a very high price and with the ever-lurking death that has already taken many of them, they, rich only of their own want to survive, they came to the beaches of an unknown land. They have gathered them in reception centers that, in line with an optimistic prediction, have quickly become too narrow and suffocating to hold them all. And other places of welcome are not enough or will ever be enough for the biblical exodus that takes them to the civilized West. But even the West goes into crisis, seeks alibi, can not fully understand what is happening in the Mediterranean and fights to find impossible escape. The shift politician inaugurates the new reception center and boasts of the little that others actually have given. Meanwhile, refugees and immigrants are moving towards a long road that will lead them to an unknown future, seeking relatives or friends, or simply a job that allows them to survive again.”

Exodus: A Trip for Life by Kicca Igaly and Nessuno Myoo at LEA 24, open through December 31.

Route 10 ~ Lill Burn Valley to Haetae

Tags

Hetae, Jeogeot, Lill Burn Valley, mainland, Route 10, Second Life, secondlife

Continuing over the bridge, where I stopped in Lill Burn Valley on Route 10 in Jeogeot, which I posted about here, I noticed the striping on the paving changed to indicate where it is, and is not, safe to pass as the road goes through rolling hills.

The photo above was taken in Katipo.

The next sims are, very briefly, Wetas, then Craggen Maw for a longer stretch of road, Busby and then Brouwer where photos number 2, 3 and 4 were taken.

This bridge is by Mighty Mole of Linden Department of Public Works. The steps lead to a border of banlined land and land that was abandoned a month ago. These photos were taken September 19, 2017.

Above, also in Brouwer, shows guard rails by the side of the road going briefly into Moa. Then the terrain is flatter through Mouse Point, which is very sparsely built on at this time.

Otaki Gorge and then Bandicoot are populated with many shops on the ground, close to the road. There are what appear to be parks and private parcels as well, some things towering into the sky, lots of foliage and ambient nature sounds. From what I recall of travels during past years, there’s been a lot going on here for some time.

In Numbat there appears to be much more open land.  Further on, still in Numbat and then Drews, there’s a guard rail on the left side of the road. In Drews, residents have constructed retaining walls in the valley.

Next in Oolamoo, guard rails are on both sides of the road and then there’s another bridge.

Still not any water except far in the distance.

The bridge is the same style as one I’ve recently shown on Route 10.

The road is fairly straight through flat land in Arang.

We rest again at this bus shelter by Michael Linden in Hetae. (“bus fares are very low”)

There have been at least two bus shelters rezzed by residents that I’ve noticed on this Route 10 journey so far.

Hopefully we’ll pick up the journey looking at virtual mainland infrastructure next week again.