Happy Holidays and a Blessed 2019

Tags

interstellART, Pottering While the World Ends, The Trip in a Virtual World

This is likely my last post of 2018. I had wanted to share more about what I like in our world during the last few months. Shown in this post are some simple, cropped photos taken yesterday evening at Art at Home Sceneries, a space recently opened at InterstellART.

I had wanted to do posts on two LEA sims before they go away at the end of the month, The Tarot Garden at LEA 17, and Echoes, Metaphysics of Frequencies at LEA 24, which now has a bonus level in the sky, if you haven’t been since the few weeks after it opened.  

Most of the artists who exhibit at InterstellART, have created a scene, each with different style decor, showcasing one of their works. There are some lovely gifts to pick up, plus teleports to galleries where each artist exhibits.

Those who know me, will recognize this as the sort of project I like, and in which I like to participate. During the past year I’ve had the pleasure of participating in Veyot’s Another Town and co-organizing Wanderlust Art Truck 2018. Also, I am a caretaker at Bench Art Park which has been exhibiting the creativity of various artists for over two and a half years. 

People get involved in the Second Life art world for all different reasons. Some of them chat with me sometimes, and I’ve heard it mentioned that avatars don’t buy art because many don’t have, need, or want, homes. Some of us are collectors and support the arts in SL. 

I’m not up for investing in whatever it would take to be included in the SL art scene, whatever that may be. I remain a believer that it’s crucial to treat others with kindness, to appreciate those who DO support one’s work as best they can, and to find healthy outlets for frustration and bitterness.

The scene shown above is by Sanjeewa and Sujeewa Kumara, whose gallery exhibit is well worth visiting.

Other scenes and/or teleports at this location are by Celestine Ghiardie, Fluer Heartsdale, Ilyra Chardin, Wintergeist, artandsoul Constantine, Jaime Poutine, Ramsa Luv, June Clavenham, and Claude Belgar.

I intend to keep posting to this blog in 2019, although I am going to run out of free space at some point. I want to finish my Route 2 virtual infrastructure series.  LEA is on hiatus, and there are great blogs and other resources informing us about some of the things happening inworld.

I have three, more focused blogs which I’ve collaborated on during the past year. Two are public, and the third is an art blog which is private for now.

I’ve thoroughly enjoyed The Trip in a Virtual World, which is about travelling around the mainland. Then, in late August I was invited to participate in the Blue Orange Library; it’s open for a few more months and I want to write about soon. A link to a website or blog was requested, and thus Pottering While the World Ends began.

Then there’s my human’s Real Life. It matters. What each of us think, say, and do, matters.

I appreciate my regular readers, and those who stop by occasionally.

Happy Holidays and have a Blessed 2019.

 

 

 

         

Bench Art Park ~ Nov & Dec

Tags

Bench Art Park, Quentin, Sansara, virtual art

It appears to be sunny, early autumn at Bench Art Park for November and December. The various artists had an optional prompt for this two month exhibit, a quote by Kurt Vonnegut.

The image on the lower left in the photo is by Klaus and contains a notecarded essay on Devicefication. 

The Vonnegut quote refers to November and December as “Locking Season”.

From left to right above, by LiL Mint, serra Qendra, Lynette Trinity, Elle Thorkveld and Kate Silver.

“One sort of optional thing you might do is to realize that there are six seasons instead of four. The poetry of four seasons is all wrong for this part of the planet, and this may explain why we are so depressed so much of the time. I mean, spring doesn’t feel like spring a lot of the time, and November is all wrong for autumn, and so on.

Here is the truth about the seasons: Spring is May and June. What could be springier than May and June? Summer is July and August. Really hot, right? Autumn is September and October. See the pumpkins? Smell those burning leaves? Next comes the season called Locking. November and December aren’t winter. They’re Locking. Next comes winter, January and February. Boy! Are they ever cold!

What comes next? Not spring. ‘Unlocking’ comes next. What else could cruel March and only slightly less cruel April be? March and April are not spring. They’re Unlocking.”

~ Kurt Vonnegut – from a collection of essays and speeches, “Palm Sunday: Bits of the Collage” (1981)

From left to right above, by Elle Thorkveld, Kate Silver and Quinn.

Art by Pearl Grey, (moi), Wheedle and Klaus.

A winter photo by Veyot on the right.

The park has had a lovely remodel by our gardener, Art Oluja.

Elle Thorkveld created something for the Locking theme, and there are different digital images on both sides.

Digital art by Seraphim Placebo.

Vase by Lynette Trinity.

LiL Mint has done some landscaping around Wanderlust Cafe next door.

Piece by Klaus, There are also some sculptures from Elle Thorkveld’s 2018 Burn2 installation.

On the roof of the cafe is a Locking themed 3D piece I’ve done, once again inspired by somewhat camouflaging banlines from the correctional facility next door.

The ground floor of the gallery contains a vibrant exhibit by Giselle Seeker.

Upstairs, digital art by LiL Mint.

The art park and cafe have been operating in Quentin for over two and a half years. You’re welcome to stop by to view the art, and enjoy the view and the music streams.

 

 

The Mysterious Old Man in Kowloon [game/event]

Tags

animesh, Kowloon, micro robot

A mysterious old man has been reported invading a room in Kowloon, and there’s a game event which opened December 2, in which you can attempt to repel the intruder. It doesn’t take long, isn’t too difficult, and you can win a cool prize.

The board near the landing has instructions in Japanese and English. You select a weapon. The “weak” weapon is free, and works fine but takes longer to repel the mysterious man. The medium weapon is 3$L, and the strong one  is 10L$. Select your weapon, wear it, and teleport to the  room.

I got out my camera and attempted to stay out of the way as my traveling companion prepared to battle the intruder. He used the free weapon, and the intruder kept arriving at a reasonable pace, through the window, fireplace or door. After a predetermined number of hits with the weapon, (stand within 1 meter from the intruder and right click), the prize is received, and you can exit through the door. Please bring your sense of humor with you.

The prize is a high quality, animesh micro robot. It has a dedicated HUD that allows for color change, and controls to open/close the canopy. It can be attached to a miniature avatar. It’s amusing to watch running around; the sounds are well-done too.

If you need a miniature avatar, there is a micro rabbitroid available for purchase for 30L$. (I was unable to locate the avatars via the SLurl provided in this blog post.)

Exploring Kowloon has always been enjoyable for me.

Deliberare Humanum Est at G. B. T. H. Project

Tags

Deliberare Humanum Est, G. B. T. H. Project, Marina Münter

Deliberare Humanum Est (Because Pretending We’re Not seeing it is Diabolical) by Marina Münter, is open until December 12 at G. B. T. H. Project. It opened November 11th, prompted by a recent election in Brazil. The setting is a favela. Near the landing is a cart, with a folder including a notecard about the installation.

“Deliberare Humanum Est (Because Pretending We’re Not seeing it is Diabolical) actually brings more questions than answers. Inside, there are two rooms: one with a possible reproduction of a home in the favela and other with laptops open with a few real reports in English about Bolsonaro, the military and some of the real damage caused by them.”

The room with clickable laptops for news reports.

The G.B.T.H. Project, (Grab By The Horns), is a concept gallery curated by Marina Münter and Megan Prumier. The installations change monthly.

“We believe that Second Life is a powerful creative platform and try our best to make use and learn at our own path the tools available in it.”

Deliberare Humanum Est is Marina Münter’s fourth solo exhibition. An artist bio is included in the folder available from the cart near the  landing.